Visual Rhetoric: Before you can deconstruct
Several years back, when I was just beginning to start my graduate career, I had one of my favorite conversations ever with Scott Russell, the coordinator of the Marian E. Wright Writing Center. I had started tutoring there not too long before, and while I can’t remember for the life of me how we got there (one can rarely remember the beginning of conversations with Scott – usually you’re left staggering with yet another sobering readjustment of your understanding of The Way Things Are), I can recall this was when I realized the perfect storm that is academic momentum: in order to change academia, you have to prove yourself to academia, and in order to prove yourself to academia, you must play long enough by academia’s rules that when you have finally achieved enough power and privilege to critique the structure, you are less likely to do so because you’ll be tearing at the very foundation of your own authority. Thus begets and sustains the revolving door of firebrands being tempered into the same tools that maintain the system they set out to tackle. A few strays make it through with their convictions intact, but they are now too few to institute the radical sweeping change they once thought themselves on the cusp of. The cycle repeats.
I started my reading of Delagrange linearly with chapter 1, and was quickly reminded of this conversation above. While there is a handful of “non-traditional” publications that offer limited resistance, Delagrange’s point stands: “Unadorned text, written in plain style and organized in a way that can readily be outlined, has long been the paradigm for scholarly performances and it has been presumed to fit all ‘legitimate’ academic scholarship. Legitimacy, however, is a conservative, hereditary principle that protects the interests of those who claim it” (10). Sound familiar?
The reason we continue to see the visual mode of Text On A Page perpetuate – even to the point where most online only publications still release their editions formatted to look like a physically printed volume in order to appease the academy’s expectations as defined by The Way Things Are (something else Delagrange notes). The catch here is that I’m willing to bet there’s a lot more appetite for this change to take hold buried beneath the surface in everyone who’s playing by the rules, but we’re all waiting on each other to flinch first.
Anyone who makes it far into the academy realizes quickly that significant scholarly inquiry is defined not by the window dressing, but by the substance of the ideas and discussion created. It’s just a matter of time before the academy changes to stop the privileging of black ink on off-white paper, right? We’re all waiting for that change to take hold. While we wait for the winds to change, however, we’ll just submit our next publication to a traditional outlet. Just this time, so we can add it to our C.V. without having to be defensive. Next time we’ll try another more “unconventional” outlet.
I’m still at a point where I haven’t been published (except for a book review), but I can see that pressure at work on my future, and I can see how easily this publication cold war with the academy will stretch out. Thank you Scott – and damn you, Scott – for helping me achieve so pragmatic a POV so early. I’ll do what I can to help tear down the wall.
Just lemme get something published in a traditional journal first.